Rosalind Nashashibi: Cold Open Day
Curator Mike Sperlinger considers how the various formal strategies used by Rosalind Nashashibi in works including Jack Straw’s Castle (2009), Carlos’ Vision (2011) or Vivian’s Garden (2017) to produce ‘frames’ that complicate the boundaries between the natural flow of daily life and rehearsed or staged behaviour and performativity.
