Foreword Afterall Journal issue 30
Can one curate a political movement — a grass-roots response to a set of political, economic and social circumstances — and exhibit it as artistic gesture? This is the question provoked by the 2012 Berlin Biennial, which Artur Żmijewski curated in collaboration with Joanna Warsza and Voina, and their invitation to Occupy Berlin and other Occupy movements to set up camp on the lower floor of Kunst-Werke, the main institution involved with the biennial.
