Kudzanai-Violet Hwami: ‘(15,952km) via Trans-Sahara Hwy N1’
Reviewing Kudzanai-Violet Hwami's first institutional solo show, Adjoa Armah addresses the complex set of ideas and histories from Shona culture inscribed in her work. Armah discusses Hwami's paintings as surfaces where the relationships between magic and science, dreams and political history, or the physical and the digital, are renegotiated along non-linear temporalities.